tag:blogger.com,1999:blog-31538493132857210402024-03-05T03:11:36.561-08:00ARCHIVO TELLASBIODRAMAarchivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comBlogger21125tag:blogger.com,1999:blog-3153849313285721040.post-19836046653224786502016-11-22T11:46:00.000-08:002016-11-22T11:52:43.452-08:00Biodrama<div class="separator" style="clear: both; text-align: center;">
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Taller de Verano de Biodrama
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comienza el 4 de enero de 2017
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Informes e incripción: vivitellas@gmail.com
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<br />archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.com0tag:blogger.com,1999:blog-3153849313285721040.post-71769618188422977072011-03-07T19:22:00.000-08:002011-03-16T05:28:53.212-07:00Biodrama<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9KfsIuRvG72twG8Z_GGJsxQbbHRZskIjPBdl82Z3Y3EoB9g0ay91ADT1XwpmJupROE0vvMgNVPGHoAZx7Mxx1FcYT5oAlIboVVJtsGpyk8v2AZY3PGuA5fGzzkDe-x_SZpomiUsl65eo/s1600/maurizio31_2.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9KfsIuRvG72twG8Z_GGJsxQbbHRZskIjPBdl82Z3Y3EoB9g0ay91ADT1XwpmJupROE0vvMgNVPGHoAZx7Mxx1FcYT5oAlIboVVJtsGpyk8v2AZY3PGuA5fGzzkDe-x_SZpomiUsl65eo/s400/maurizio31_2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5581545450721717906" /></a><br /> Biodrama<br /> taller de teatro<br /> comienza el 13 de abril<br /> para información y entrevistas <br /> vivitellas@biodrama.com.ar<br /><br /><a href="http://www.alternativateatral.com/nota487-un-biodrama-o-algo-asi">http://www.alternativateatral.com/nota487-un-biodrama-o-algo-asi</a>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-1258712926032288292011-03-05T14:29:00.000-08:002011-03-15T17:38:09.326-07:00Barcelona-Madrid-Dublin del 18/3 al 4/4<span style="font-weight:bold;">Barcelona</span><br />Jornadas "La intimidad como espectáculo"<br />"La familia es lo primero"<br />Hora : 20:00 | Dia : 23/3/2011 | Lugar:Casa Amèrica Catalunya. c/ Còrsega, 299. Barcelona<br />En el marco de las Jornadas "La intimidad como espectáculo", la directora de teatro experimental argentina Vivi Tellas charlará con el artista Ignasi Duarte sobre el teatro documental y las posibilidades de la familia como concepto encima de un escenario.<br /><br /><span style="font-weight:bold;">workshop</span> teatro de familia<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgARWg9TVaLIVeOYQZw3FtXw8-b8tmaa6erJHn48WGFy-KDveSKTughxgIG9xRIdZ6S7FBhnIicnUwWIAC5d3KUh5CeCTW9Z6Ky98VE3Pem3S0NqUNFqZVv22W0wEKBIp7giu7ejWJrlLA/s1600/foto+familia.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 190px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgARWg9TVaLIVeOYQZw3FtXw8-b8tmaa6erJHn48WGFy-KDveSKTughxgIG9xRIdZ6S7FBhnIicnUwWIAC5d3KUh5CeCTW9Z6Ky98VE3Pem3S0NqUNFqZVv22W0wEKBIp7giu7ejWJrlLA/s320/foto+familia.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5584453120809684466" /></a><br /><a href="http://porta4teatre.blogspot.com"><span style="font-weight:bold;">http://porta4teatre.blogspot.com/</span></a><br /><br /><span style="font-weight:bold;">Madrid</span><br />El 24/03<br />LA TEATRALIDAD FUERA DEL TEATRO<br /><a href="http://www.casamerica.es/otras-artes/la-teatralidad-fuera-del-teatro">http://www.casamerica.es/otras-artes/la-teatralidad-fuera-del-teatro</a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7nHkNNPvBuG2jshmoADvrv5OWVwWddG868gb-zL-kWme-1oh2Yv1RtWK-ZBB5V_9BpKg9RVNYI3yJRuQW0WawFm8lTyy0yublC23yKVCDAFFYDHaqTJgMm65j1G3TUeDIZQkAiwyC9VY/s1600/mi+mam%25C3%25A1+y+mi+t%25C3%25ADa_1.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 210px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7nHkNNPvBuG2jshmoADvrv5OWVwWddG868gb-zL-kWme-1oh2Yv1RtWK-ZBB5V_9BpKg9RVNYI3yJRuQW0WawFm8lTyy0yublC23yKVCDAFFYDHaqTJgMm65j1G3TUeDIZQkAiwyC9VY/s320/mi+mam%25C3%25A1+y+mi+t%25C3%25ADa_1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5584470403779959538" /></a><br />foto "Mi mama y mi Tia" de Vivi Tellas<br />La directora de teatro experimental argentina Vivi Tellas charlará con Marc Caellas sobre el teatro documental y las posibilidades de la familia como concepto encima de un escenario.<br />“La intimidad es el centro de mi trabajo. Busco la teatralidad fuera del teatro, en zonas inestables como el espacio íntimo, donde la inocencia puede aparecer. La situación de trabajo es muy frágil. La intimidad es un presente continuo donde no hay opiniones ni destrezas, una zona torpe, capaz de generar momentos desconocidos que no controlamos para nada”. Vivi Tellas<br />Vivi Tellas es una de las directoras de teatro experimental más reconocidas de Argentina. Trabaja desde hace años poniendo al teatro en contacto con otros mundos, rastreando elementos teatrales (la repetición, la presencia, la situación, la mirada de los otros, el texto) en vidas, situaciones o disciplinas exteriores al teatro. Emparentado con el género documental, su teatro no descansa en la representación sino más bien en la presentación de “casos“.<br />http://www.archivotellas.com.ar/<br />Fecha: 24 de marzo de 2011.<br />Hora: 19.30.<br />Entrada libre hasta completar aforo.<br /><br /> <br /><span style="font-weight:bold;">Dublin</span><br /><a href="http://www.theatreforumireland.com">www.theatreforumireland.com</a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYNWFWn4hkiCmNiMAnb3EKdLIye0WKdWg8kZW-TiW_G7X_k0ejbHbvpsfTnfVWki4-34MpFIQxm4KLvXM-EQgcJJKq0FKFhK8jY4toHyPLtzsPdQEkNVgzHlHYNoxgd16PhLk7XOELIYM/s1600/CIMG6589.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYNWFWn4hkiCmNiMAnb3EKdLIye0WKdWg8kZW-TiW_G7X_k0ejbHbvpsfTnfVWki4-34MpFIQxm4KLvXM-EQgcJJKq0FKFhK8jY4toHyPLtzsPdQEkNVgzHlHYNoxgd16PhLk7XOELIYM/s320/CIMG6589.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5584463743099375506" /></a><br />MAKE is a joint initiative by The Cork Midsummer Festival, Dublin Fringe Festival, Project Arts Centre and Theatre Forum, committed to the generation of new performance work.<br />MAKE is a residential laboratory open to Irish and international participants, where ideas for new theatre and performance works will be developed with the assistance of renowned international theatre artists Vivi Tellas, Gary Winters and Jacob Wren. <br />MAKE has been created for artists looking for time, space and mentorship towards the generation of new theatre and performance projects and is supported under the Arts Council's Artist Development Award scheme. <br />For one week, 15 practitioners will come together at the Tyrone Guthrie Centre, Annnaghmakerrig where there will be an emphasis on creating new work with assistance, mentoring and support, rather than learning specific skills or techniques.<br />Mentorship will be available from three international artists with a wealth of experience in creating new work. Far from promoting a particular method of making performance, they will offer advice and guidance from their experience, without agenda. MAKE is not a training workshop. Artists are free to pursue their own ideas, but the context MAKE offers is one of support and encouragement as well as challenge and critical rigour.<a href="http://www.theatreforumireland.com"></a>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-74803913852639528792011-03-03T08:23:00.001-08:002011-03-03T08:35:49.572-08:00Prensa Rabbi Rabino - New York<object width="400" height="390"><param name="movie" value="http://www.youtube.com/v/TqUUZLbkzuk&hl=en_US&feature=player_embedded&version=3"></param><param name="allowFullScreen" value="true"></param><param name="allowScriptAccess" value="always"></param><embed src="http://www.youtube.com/v/TqUUZLbkzuk&hl=en_US&feature=player_embedded&version=3" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="400" height="390"></embed></object>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-47347291487130732042011-03-01T03:58:00.000-08:002011-03-09T04:07:36.146-08:00teatro documental<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimly9As15_dr5uc5IXSSx4glwMSFXGsQck-obTbzqc1ky0emNAFCQ2fvGQmO7hCm9LHquk9l1AhWyj6uhEBriT-9sVh1ev8_21mr-oHbwkwYzTr41-pDUK5sKL8tzBpMKZI9fKFVVeACs/s1600/ShowJacket.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 251px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimly9As15_dr5uc5IXSSx4glwMSFXGsQck-obTbzqc1ky0emNAFCQ2fvGQmO7hCm9LHquk9l1AhWyj6uhEBriT-9sVh1ev8_21mr-oHbwkwYzTr41-pDUK5sKL8tzBpMKZI9fKFVVeACs/s400/ShowJacket.jpg" alt="" id="BLOGGER_PHOTO_ID_5582048865281815122" border="0"></a><br />Documentary theatre is a form of theatre created from the verbatim use of interviews, photographs and historical proceedings. This book brings together essays, interviews and performance texts, many published here for the first time, which describe and analyse documentary theatre around the world: both its history and its proliferation since 9/11.<br />About the Author(s)<br />Carol Martin<br /><br />CAROL MARTIN is Associate Professor of Drama at Tisch School of the Arts, New York University.<br />Table of Contents<br />Contents<br />The Dramaturgy of the Real--C.Martin<br />Towards a Poetics of Theatre and Public Events--J.Reinelt<br />Staging Terror--W.Hesford<br />Post-1990s Verbatim Theatre in South Africa: Exploring an African Concept of Truth--Y.Hutchison<br />Reality from the Bottom Up: Documentary Theatre in Poland--A.Sowinska, trans. B.Paloff<br />The Scripted Realities of Rimini Protokoll--F.Malzacher<br />TEXTS:<br />Rewind - A Cantata for Voice, Tape and Testimony--J.Dubow<br />Rewind: Cantata--P.Miller<br />Is.Man--A.Roosen<br />Introduction to Three Posters--R.Mrou<br />Three Posters--E.Khoury &--R.Mour<br />The Magic Years of Youth in Dreary Times, Or Theatre of the Eighth Day's View of Itself, Again During Dreary Times--J.Ostrowska, trans. E.Janicka<br />The Files--Teatre smego Dnia, trans. B.Johnston<br />Pawel Demirski: We're not Hyenas - An Interview--P.Sztarbowski, trans. A.Valles<br />Don't Be Surprised When They Burn Your House Down--P.Demirski, trans. A.Valles<br />Kidnapping Reality: An Interview with Vivi Tellas--A.Pauls, trans. S.J.Townsend<br />Excerpts from the Plays of Vivi Tellas--V.Tellas, trans. S.J.Townsend<br />An Intimate Love Letter: Art, Life &--Showbiz, Ain Gordon Writer/Director--B.Vorlicky<br />Art, Life &--Showbiz--A.Gordonarchivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-6053958634154218012011-01-07T12:06:00.001-08:002011-01-07T12:16:11.733-08:00The New York Times - Rabbi Rabino<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6tJjVemltKoy6sqE5yCZBThRrm0Nwm0A0SH1OPkdQwm9pQetKmzkcdZFNXDCis0H_t0BBn2yrrZeCtFbGT8aVA6SfP_2ONRUhCFVZMEZjAgUa3NayTCdKHJMw6njcqCrgiCkyd54uc_g/s1600/06coil-rabbi-blog480.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 249px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6tJjVemltKoy6sqE5yCZBThRrm0Nwm0A0SH1OPkdQwm9pQetKmzkcdZFNXDCis0H_t0BBn2yrrZeCtFbGT8aVA6SfP_2ONRUhCFVZMEZjAgUa3NayTCdKHJMw6njcqCrgiCkyd54uc_g/s400/06coil-rabbi-blog480.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5559538077548603778" /></a>A scene from the multimedia production “Rabbi Rabino,” directed by Vivi Tellas.<br /><br />Fans of contemporary theater have their hands full for the next two weeks. In addition to the Public Theater’s Under the Radar Festival, Performance Space 122 is presenting its annual Coil Festival of multimedia dance and theater performances. Over the next week Erik Piepenburg will be interviewing several theater companies with shows in the festivals.<br /><br />Neither Hyman Levine nor Moses Birnbaum will ever be mistaken for Jackie Mason, but that’s not for lack of trying. The two conservative rabbis from Queens, who know from Jewish jokes, comprise the cast of “Rabbi Rabino,” an irreverent mini-variety show about Judaism and modern identity created by the Argentinian director Vivi Tellas. (The title is the word “rabbi” in both English and Spanish.) The piece runs through Jan. 15 at Performance Space 122 as part of the 2011 Coil Festival.<br /><br />Ms. Tellas spoke to ArtsBeat about what’s so funny about being Jewish, and how to audition a rabbi. Following are excerpts from the conversation.<br /><br />Q.What is it about Judaism that made you want to create this kind of show?<br /><br />A.I decided to work with rabbis as a way to look for some answers about performers. I’m Jewish but I didn’t have much religious eduction so I’m curious about the world of Judaism. Last year, while working in New York, I found these excellent, sense-of-humor rabbis who have a lot of knowledge about Judaism.<br /><br />I’ve been to services at synogugue, and it’s so much about music and singing. That’s part of this show. The whole mystery of the piece for me is when they pray. The rabbis pray three times a day, and during the show they pray because it’s time for them to pray. My question is: is that praying true? Or is it fiction? Can God listen to you if you pray on stage in a theater piece?<br /><br /><br />Q.What do you think?<br /><br />A.Each time I see the runthrough I ask the same question. I don’t know yet. We have six nights to see. Will the stage make it more true or more fictional? That’s the most mysterious question.<br /><br /><br />Q.What’s the show like? What do the rabbis do on stage?<br /><br />A.They sing. They tell jokes. They do the voices of Aaron and Moses from the silent movie of “The Ten Commandments.” They re-enact personal stories. At the end we do a little bit from “Cyrano” because Jewish rabbis can fall in love and have families. I’m interested in how love is for a rabbi.<br /><br />They play the shofar at the end. There’s also a buffet at the end that the performers share with the audience, so people can talk to them. People can ask things about what they’ve seen. The performers are not professionals, so they are curious, and need feedback. We’ll have some kosher snacks.<br /><br /><br />Q.How did you choose these specific rabbis to be in your show? What set them apart?<br /><br />A.Moses said he always wanted to be a standup comedian. Hyman said, well, this is my last thing on earth. He’s 82. He’s saying this is his goodbye or something. He’s OK, but he is talking about his whole life in the course of this show.<br /><br /><br />Q.How do you cast rabbis? Did you hold rabbi auditions?<br /><br />A.A sense of humor is the first test I gave rabbis. I would tell them to tell me Jewish jokes. If they were funny I’d say you can be in my show. <br /><br />“Rabbi Rabino” runs through Jan. 15 at Performance Space 122. More information is at the Coil Festival <a href="http://www.ps122.org/performances/rabbi_rabino.html">Web site</a>.<br /><br /><a href="http://artsbeat.blogs.nytimes.com/2011/01/06/coil-festival-5-questions-about-rabbi-rabino/">Ver nota en New York Times</a>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-87606264563739074702010-12-22T07:59:00.000-08:002010-12-31T16:51:54.691-08:00Rabbi Rabino - Performance Space 122 's - 6th Annual Winter Festival of Contemporary Performance<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLj9IbD-35XkG0brcCCmpharA0mRYbIcdooUlEOwXtDpYf_-r5i23KOC4FGxY2bIVee7EUbhKfyUlAoVmPNPf8tUlwQa5GRo1i3V7wBZ4f4cE4nWQEvgBp0DMegP50LNKSX2iPP2NA8k0/s1600/RR_NYC.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 275px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLj9IbD-35XkG0brcCCmpharA0mRYbIcdooUlEOwXtDpYf_-r5i23KOC4FGxY2bIVee7EUbhKfyUlAoVmPNPf8tUlwQa5GRo1i3V7wBZ4f4cE4nWQEvgBp0DMegP50LNKSX2iPP2NA8k0/s400/RR_NYC.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5557013176959186514" /></a><br />Rabbi Rabino<br />Vivi Tellas<br />WORLD PREMIERE | THEATRE | DOWNSTAIRS at PS122<br />Wed, Jan 5 9:30PM / Thu, Jan 6 6:30PM / Sun, Jan 9 6:30PM / Tue, Jan 11 6:30PM / Thu, Jan 13 6:30PM / Sat, Jan 15 9:30PM<br /><br />Renowned Argentinian director Vivi Tellas "kidnaps reality," placing two Conservative Rabbis onstage to perform their own autobiographies - ranging from jokes to Jewish food to their opinions on Charlton Heston's "The 10 Commandments." On the threshold where simple reality transforms into performance, RABBI RABINO captures pieces of "theatricality outside the theatre", placing them onstage in a unique context where audiences can connect with "the Rabbi's world" in a whole new way.<br /><br /><a href="http://www.ps122.org/performances/rabbi_rabino.html">http://www.ps122.org/performances/rabbi_rabino.html</a><br /><a href="http://www.ps122.org/performances/coil_2011.html">http://www.ps122.org/performances/coil_2011.html</a>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-49952445484125809612010-10-10T02:05:00.000-07:002010-10-19T02:11:07.807-07:00NYU - Escrituras de la intimidad<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1O2mGlzoOL1MwnOnis6suUPfbfqndgSVXtTI6dsLqGFpmJHVOYQJrucP3LPXig1g57hNWHH1Fpn73wMB0hyphenhyphenhQFw2yVsIA6_dCb1eO7pHRR0HwyJ03h3SO8LUhvdzNfSnoLg_MelCz1NI/s1600/toulouse-lautrec_bed.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 244px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1O2mGlzoOL1MwnOnis6suUPfbfqndgSVXtTI6dsLqGFpmJHVOYQJrucP3LPXig1g57hNWHH1Fpn73wMB0hyphenhyphenhQFw2yVsIA6_dCb1eO7pHRR0HwyJ03h3SO8LUhvdzNfSnoLg_MelCz1NI/s400/toulouse-lautrec_bed.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5529680955173594370" /></a><br /><br />Wednesday, October 13th, 8:00 p.m.<br />A dialogue among Argentine writers<br />Arturo Carrera, Gabriel Giorgi, <br />Sylvia Molloy and Vivi Tellas<br /><br /><br />Location: King Juan Carlos Center<br />53 Washington Square South <br />(between Thompson and Sullivan)<br />New Yorkarchivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-49524688600513086522010-08-20T04:24:00.000-07:002010-09-08T05:16:06.564-07:00Teatro de Familia - San Pablo<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAlymiG2C3FQQHKrW1e4lQTu2-stCqY4T9l-KPUwTUb8P9_LWzTG85lYStakojYvHCNU8vuFYrCxzHV5BbM1MUeViLRsp20HYsNuYCQQiBZVwiyyf4G8qs8v5XB9LL5ETEt0C_4z-yxd0/s1600/Cacos_de_Familia.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 185px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAlymiG2C3FQQHKrW1e4lQTu2-stCqY4T9l-KPUwTUb8P9_LWzTG85lYStakojYvHCNU8vuFYrCxzHV5BbM1MUeViLRsp20HYsNuYCQQiBZVwiyyf4G8qs8v5XB9LL5ETEt0C_4z-yxd0/s400/Cacos_de_Familia.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5514131148786981682" /></a>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-20623683911631646272010-08-01T10:07:00.000-07:002010-09-07T04:32:30.028-07:00Mi padre vive en una estrella -Festival Eñe / Montevideo<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIhtNNXHxpNl_nQnxYsmgvCkWD7OytA6K9ZM_6g-GDiYlgfumAOsE9R4EGp0GYCRgDzTWsllj6liClNPO-YQ3wiTbwmtzJ9Rts-ShH9l8RfvN5DhG9JjyYrY6UdNVUpkvB8M3u0CViYIM/s1600/CIMG7101.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIhtNNXHxpNl_nQnxYsmgvCkWD7OytA6K9ZM_6g-GDiYlgfumAOsE9R4EGp0GYCRgDzTWsllj6liClNPO-YQ3wiTbwmtzJ9Rts-ShH9l8RfvN5DhG9JjyYrY6UdNVUpkvB8M3u0CViYIM/s400/CIMG7101.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5514132677853859346" /></a><br />Mi padre vive en una estrella<br /><br />Desde chica mi mamá me decía que mi papá<br />era la primera estrella que salía en el cielo.<br />Con la ayuda de una medium voy a tratar<br />de hacerle las preguntas que nunca pude.<br /><br />Vivi Tellas<br /><br />Festival Eñe/Montevideo<br />Museo Torres Garcia<br />5 de agosto /2010<br /><br /><br /><a href="http://www.revistaparaleer.com/noticia/2010/03/10/festival-ene-montevideo">http://www.revistaparaleer.com/noticia/2010/03/10/festival-ene-montevideo</a>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-13667370634423806272010-06-14T13:15:00.001-07:002010-06-14T14:00:28.887-07:00Distance Festival - London<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_n3addRhhaCLrHO_BekE6_QzH6YNLulN7FawDTydY5Kg0CIcUHELQTL4U8dphoXdEVeFqeWOJcIu4MhwH5OuFtut3co0zW_fS_uQThgchiVBkFNyeXGkKxDb_27SqTvv8D4A6b72_wlI/s1600/tabla-ouija-espiritismo-fantasmas.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 304px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_n3addRhhaCLrHO_BekE6_QzH6YNLulN7FawDTydY5Kg0CIcUHELQTL4U8dphoXdEVeFqeWOJcIu4MhwH5OuFtut3co0zW_fS_uQThgchiVBkFNyeXGkKxDb_27SqTvv8D4A6b72_wlI/s400/tabla-ouija-espiritismo-fantasmas.jpg" alt="" id="BLOGGER_PHOTO_ID_5482734002593668178" border="0" /></a>My Father Lives on a Star<br /><div style="text-align: center;"><div style="text-align: left;"> by VIVI TELLAS (Argentina)<br />Saturday 19th june, 22:00 hs<br /><br />Mi padre vive en una estrella / My father lives on a star<br /><br />The renowned artist and theatre director will skype in from Buenos Aires into a seance with a Voodoo medium. Vivi will try to contact her dead, spanish speaking father through the spiritualist, and through the strange ghostly medium of video conferencing.<br /><br /><a href="http://www.stkinternational.co.uk/STK/STK.html">Stoke Newington International Airport</a><br />Unit E, 1-15 Leswin Place - London N16 7NJ<br /></div></div>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-59368869147674094002010-06-14T12:22:00.000-07:002010-06-14T13:02:03.716-07:00Distance Festival - London19 - 20 junio 2010<br /><span style="text-decoration: underline;"><br /><br /><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc7ZEEwsXSUgvrb1D9R2Ldi9cFhmg4QwX_ZdOVgf26D7MgkKPcnkkYe7nmhzQ3e2SrwHYKZTiX8VTz6V57y90IHXBGEMeWysudPGM66B4fLgKCCF678MRY_phdGCJD3F0Mvp_ew0-oUs8/s1600/dist.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 301px; height: 45px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc7ZEEwsXSUgvrb1D9R2Ldi9cFhmg4QwX_ZdOVgf26D7MgkKPcnkkYe7nmhzQ3e2SrwHYKZTiX8VTz6V57y90IHXBGEMeWysudPGM66B4fLgKCCF678MRY_phdGCJD3F0Mvp_ew0-oUs8/s400/dist.jpg" alt="" id="BLOGGER_PHOTO_ID_5482721153091317474" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRyx9w5So4dvqXv8VnMtiapkUvjH2-En8NxpqPICJoixeYok79ZPPS-C7w2vBtseJZ90onxlUCe3IxDPYBI-eVweFPuKbTPh4QmJJw3WUAtwxhMD-LKgpaDIa9sFfgI5fKjIEc1xhrbC4/s1600/background.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 322px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRyx9w5So4dvqXv8VnMtiapkUvjH2-En8NxpqPICJoixeYok79ZPPS-C7w2vBtseJZ90onxlUCe3IxDPYBI-eVweFPuKbTPh4QmJJw3WUAtwxhMD-LKgpaDIa9sFfgI5fKjIEc1xhrbC4/s400/background.jpg" alt="" id="BLOGGER_PHOTO_ID_5482718733380047362" border="0" /></a><span style="font-size:100%;">DISTANCE is a weekend of performances, talks, video and activity over distance.</span><div style="text-align: center;"><div id="bodytext"> <h3><span style="font-size:100%;">TICKETS NOW ON SALE - <a href="http://www.wegottickets.com/location/2388">HERE</a></span></h3><h3><span style="font-size:100%;">Distance has always been a part of our lives. Now, more than ever, we are expected to negotiate the complexities of near and far. From conquistador to ryanair to Skype to pilgrimage to chatroom to your neighbour's front door, a multitude of choices now affect how we experience and engage with people and places across the world and across the street. As technology offers instant presence and lifestyle choices increase in complexity, what are our relationships to distance? How do we live with absence, intimacy and speed? When do we desire to close the gap and when do we need to create it?</span></h3> <h4><span style="font-size:100%;">Over 19-20th June, experience a programme of work that responds to distance from multiple perspectives. Expect the infinite and intimate, the attempt and limit, the vital and current.</span></h4> <h4><span style="font-size:100%;">DISTANCE is curated by Third Party and Stoke Newington International Airport</span></h4> <h4><span style="font-size:100%;">To subscribe to our mailing list please send an email to: info@fromadistance.co.uk</span></h4> </div></div><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi865FYsNMG_B_VFIfdWbH87uDeiqJsBqpKOmX1EWdOjrz4_KeMyh7TJms6wSeZyRyh66u-r7eT5mOSvQflzVF_6yToqHNmVX4zpqcQa8LHAZqvuuerRRD1svTsCCU3pjt59et-Wm2qt-U/s1600/Picture+11.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 269px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi865FYsNMG_B_VFIfdWbH87uDeiqJsBqpKOmX1EWdOjrz4_KeMyh7TJms6wSeZyRyh66u-r7eT5mOSvQflzVF_6yToqHNmVX4zpqcQa8LHAZqvuuerRRD1svTsCCU3pjt59et-Wm2qt-U/s400/Picture+11.png" alt="" id="BLOGGER_PHOTO_ID_5482718711860700466" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilbEQxXA9fL9OAEMFBFCby6sCezqSCFG_25JwMFqlipou0fzjXOo9p4DTIPZZDpGhjOnYtUmAoeVM30pYIPnrLjAWQvnUGaR5DNHgSywr8WWdyxOgdoU3mh54kQ9UeyCnyjeYkoYp9TaM/s1600/Picture+10.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 289px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilbEQxXA9fL9OAEMFBFCby6sCezqSCFG_25JwMFqlipou0fzjXOo9p4DTIPZZDpGhjOnYtUmAoeVM30pYIPnrLjAWQvnUGaR5DNHgSywr8WWdyxOgdoU3mh54kQ9UeyCnyjeYkoYp9TaM/s400/Picture+10.png" alt="" id="BLOGGER_PHOTO_ID_5482718704475118594" border="0" /></a><br /><br /><a href="http://www.stkinternational.co.uk/STK/STK.html">Ir a Stoke Newington Airport</a>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-34984616708932521032010-05-31T11:13:00.000-07:002010-05-31T12:02:00.624-07:00Linda y los pájaros. Mauro Guzmán<div>Producción Estudio Brócoli</div><div><br /></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidTT0EhSL1CzB5KiGZvu-p697Ra0L3R5u10Z7j5RuBYgzY1raKM8EJgbOWRUEPDLT7BnQ6cQHA-7gSEatsAtOH23WA4Yxr6BADDjt2EG73ZE4dGu1PhVgp894iCmkbtnYDW2xFe0lHm6M/s1600/Afiche+Linda+y+los+p%C3%A1jaros.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 286px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidTT0EhSL1CzB5KiGZvu-p697Ra0L3R5u10Z7j5RuBYgzY1raKM8EJgbOWRUEPDLT7BnQ6cQHA-7gSEatsAtOH23WA4Yxr6BADDjt2EG73ZE4dGu1PhVgp894iCmkbtnYDW2xFe0lHm6M/s400/Afiche+Linda+y+los+p%C3%A1jaros.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5477503246051039106" /></a><br /><div><br /></div><div><a href="http://studiobrocoli.blogspot.com/">Ir a Estudio Brócoli</a></div><div><br /></div><div style="text-align: center;"><br /></div>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-78346310673213917922010-05-03T14:30:00.000-07:002010-05-31T12:01:28.990-07:00NYU en Buenos Aires - Malba<div><br /></div><div><br /></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjCmArLJv9hupo-030Mip0UW5oBgNcOleumcjmIhhc4Urf5cR6DJdZoyhnBqRlMgvimwKn1ckAzQI2Gmy41vEVB9j0Gvmk11gZeccNMwtGmR3fhXBEDosQPz0o8rf57DCFk8VNMQStmTo/s1600/mailing_final+La+escena+y+la+pantalla(2).jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 219px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjCmArLJv9hupo-030Mip0UW5oBgNcOleumcjmIhhc4Urf5cR6DJdZoyhnBqRlMgvimwKn1ckAzQI2Gmy41vEVB9j0Gvmk11gZeccNMwtGmR3fhXBEDosQPz0o8rf57DCFk8VNMQStmTo/s400/mailing_final+La+escena+y+la+pantalla(2).jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5477510934101950754" /></a><div style="text-align: center;"><span class="Apple-style-span" style="font-size: medium;"><div style="text-align: left;"><br /></div></span></div><div><table width="100%" border="0" cellspacing="0" cellpadding="0"><tbody><tr><td face="Verdana, Arial" size="10px"><div class="seccion" size="16px" style="margin-top: 20px; margin-right: 0px; margin-bottom: 15px; margin-left: 10px; ">Simposio</div><div class="seccion" size="16px" style="margin-top: 20px; margin-right: 0px; margin-bottom: 15px; margin-left: 10px; ">La escena y la pantalla. Cine contemporáneo argentino y brasileño, entre la teatralidad y la inscripción de lo real.</div><div class="seccion" size="16px" style="margin-top: 20px; margin-right: 0px; margin-bottom: 15px; margin-left: 10px; ">Del 12 al 14 de mayo – Entrada libre y gratuita</div><div class="seccion" size="16px" style="margin-top: 20px; margin-right: 0px; margin-bottom: 15px; margin-left: 10px; ">Invitan: New York University in Buenos Aires y Universidad de San Andrés</div><div class="seccion" size="16px" style="margin-top: 20px; margin-right: 0px; margin-bottom: 15px; margin-left: 10px; "><br /></div><div class="seccion" size="16px" style="margin-top: 20px; margin-right: 0px; margin-bottom: 15px; margin-left: 10px; ">La escena y la pantalla. Cine contemporáneo argentino y brasileño, entre la teatralidad y la inscripción de lo real.</div><div class="seccion" size="16px" style="margin-top: 20px; margin-right: 0px; margin-bottom: 15px; margin-left: 10px; ">Este simposio cierra el ciclo de tres encuentros abierto en Río de Janeiro en agosto de 2009, organizados por el grupo de investigación “El retorno de lo real: nuevo cine argentino y brasileño en el mundo de la imagen global” financiado por el Arts and Humanities Research Council de Gran Bretaña.</div><div class="seccion" size="16px" style="margin-top: 20px; margin-right: 0px; margin-bottom: 15px; margin-left: 10px; ">El primer simposio tuvo como foco una revisión de las teorizaciones de lo real en el cine a la luz de los cambios tecnológicos que replantearon de manera radical su indicialidad y sus protocolos estéticos. El segundo encuentro se dedicó a comparar las figuraciones de lo local, de la memoria y del cuerpo en el nuevo cine argentino y brasileño, en función de pensar lo real en la cinematografía contemporánea más allá de la mímesis, la representación, o del compromiso con la realidad social y política.</div><div class="seccion" size="16px" style="margin-top: 20px; margin-right: 0px; margin-bottom: 15px; margin-left: 10px; ">Para cerrar el ciclo, y partiendo de discusiones surgidas en los dos primeros encuentros, hemos decidido tomar un fenómeno nuevo, la presencia de la actuación en la escena cinematográfica, y las nuevas formas de inscripción de lo real en el cine contemporáneo. La irrupción del cuerpo y lo teatral resulta una práctica presente en obras como las de Federico León y Eduardo Coutinho, que emplean la actuación como un recurso que revela la frontera difusa entre la representación y lo real. La pantalla y la escena son el espacio in between donde esa relación se hace manifiesta. Por lo tanto este encuentro provee una oportunidad para indagar modos específicos de inscripción de lo Real en la imagen cinematográfica del cine argentino y brasileño contemporáneos.</div><div class="seccion" size="16px" style="margin-top: 20px; margin-right: 0px; margin-bottom: 15px; margin-left: 10px; ">Jens Andermann (Birkbeck College, Gran Bretaña), Gabriela Nouzeilles (Princeton University, USA), Denilson Lópes y Mauricio Lissovsky (Universidade Federal de Río de Janeiro) y Álvaro Fernández Bravo (New York University in Buenos Aires)</div><div class="seccion" size="16px" style="margin-top: 20px; margin-right: 0px; margin-bottom: 15px; margin-left: 10px; ">Jueves 13 de mayo a las 17.00</div><div class="seccion" size="16px" style="margin-top: 20px; margin-right: 0px; margin-bottom: 15px; margin-left: 10px; "><div>Simposio La escena y la pantalla: Panel 2: Jatahy, Caldini, León, Lissovsky, Tellas</div></div></td></tr></tbody></table><br /></div><div><a href="http://www.malba.org.ar/web/cine_ciclo.php?id=698&subseccion=programacion_actual">mas info</a></div>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-28617832415589076812010-05-03T14:25:00.000-07:002010-05-10T10:21:37.740-07:00Rabbi Rabino primer ensayo Enero 2010, N.Y.<div><br /></div><div><br /></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUFHyMaxqNjVj32RtTlCyyVaZ4sB2qE3W4Xth0pUGiXu1tkhs1cf_Szf2migEmJMLhm0_YlDb3fBgDqhZYFtHEsF9BNllTpf0KlXJaFCSPBBJfbDbkX1IhveECPlJK6f4xOQr7MYVu4Yc/s1600/CIMG6485.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUFHyMaxqNjVj32RtTlCyyVaZ4sB2qE3W4Xth0pUGiXu1tkhs1cf_Szf2migEmJMLhm0_YlDb3fBgDqhZYFtHEsF9BNllTpf0KlXJaFCSPBBJfbDbkX1IhveECPlJK6f4xOQr7MYVu4Yc/s320/CIMG6485.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5467158815327364978" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhokbXMyYvMFyyXVB4b7Lv0OAZsiftGhGEd2MVO5V10vpa1d9b_FQwW8DAz_mbfHob2prQEHiq8MUA1haQW_VFNF3OStL5GaQ3m1qldtydqMiav6TX9UqVIkqLM8kIDYF9x299f67RTEW8/s1600/CIMG6484.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhokbXMyYvMFyyXVB4b7Lv0OAZsiftGhGEd2MVO5V10vpa1d9b_FQwW8DAz_mbfHob2prQEHiq8MUA1haQW_VFNF3OStL5GaQ3m1qldtydqMiav6TX9UqVIkqLM8kIDYF9x299f67RTEW8/s320/CIMG6484.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5467158811004555010" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKZg9iGx9AWh80JSjha1YfKUlVnTHtXMsMb2de0Uh_c1c1BiGGvYmym7V1iJ5SyrABp4iDm9tFRyg3fez2NsTplF6jxZe4HSXbOxAu6NlZh6_TX0krErr5NQkos9A4o6HTraB_29ljWF8/s1600/CIMG6490.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKZg9iGx9AWh80JSjha1YfKUlVnTHtXMsMb2de0Uh_c1c1BiGGvYmym7V1iJ5SyrABp4iDm9tFRyg3fez2NsTplF6jxZe4HSXbOxAu6NlZh6_TX0krErr5NQkos9A4o6HTraB_29ljWF8/s320/CIMG6490.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5467158806724054386" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEielVM93X__DdeFf_7glPYA7potJrGuxQj_fAW8TSrq4jUxLNGn55JokYhAUKDRbdXNxTiYV-5TZ9ZX0-Nj8IfSrQ0GIEQtLP287ihtXv-yhcwRG7rHTDJFnADItfKI8SGnQEW50gyiDOM/s1600/CIMG6478.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEielVM93X__DdeFf_7glPYA7potJrGuxQj_fAW8TSrq4jUxLNGn55JokYhAUKDRbdXNxTiYV-5TZ9ZX0-Nj8IfSrQ0GIEQtLP287ihtXv-yhcwRG7rHTDJFnADItfKI8SGnQEW50gyiDOM/s320/CIMG6478.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5467158798240037074" /></a>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-50839417838368655202010-05-03T14:12:00.001-07:002010-05-03T14:21:43.404-07:00An invitation from the Literaturas de la Intimidad class to the NYU BA Community:<div><br /></div><br />VIVI TELLAS<br /><br />El teatro de la intimidad<br /><br />Jueves 15 de abril, 17:15 - 18:45 horas<br /><br /><br /><br />Vivi Tellas es una importante directora teatral cuyo trabajo gira alrededor de una idea: buscar teatralidad fuera del teatro. Asi es como ella creó lo famosos ciclos Biodramas y Archivos donde el trabajo consiste en hacer obras de teatro con personas comunes y con los mundos reales a los que esas personas provienen. Tellas nos hablará de esas experiencias y mostrará videos de los resultados. La charla se dicta en español.<br /><br /><br />Más información sobre Vivi Tellas (inglés): Vivi Tellas has been at the cutting edge of the Argentine theater scene since 1980, first as the originator of Teatro Malo (Bad Theater) and since then as the director of a succession of innovative stage productions. Tellas has continually explored and tested the limits of theatrical practice and institutions. Her original contributions include Homenaje a Xul Solar (1989), Europera V (1995), Los fracasados del mal (1992), and a groundbreaking interpretation in collaboration with artist Guillermo Kuitca of La casa de Bernarda Alba(2002). Since 2000 she has worked on the Archives Project, a cycle of radical stagings of everyday life in Buenos Aires, directing her real-life mother and aunts (Mi mamá y mis tías, 2003-4), recreating her driving lessons in the Automóvil Club Argentino (Escuela de conducción, 2006-7), imagining a conversation between the writer Edgardo Cozarinsky and his doctor (Cozarinsky y su médico, 2005-2006), and exploring Buenos Aires nightlife in Disc Jockey (2008).<br />Vivi Tellas founded and directed the Center for Experimentation in Theater of the University of Buenos Aires. Between 1998 and 2000 she was in charge of the Stage Arts section of the Recoleta Cultural Center. Between 2001 and 2008 she was the Artistic Director of the Sarmiento Theater, which she transformed into the experimental space of the Theater Complex of the City of Buenos Aires. In 2008, she taught the seminar "Family Theater," first in London by joint invitation of the National Portrait Gallery and Shunt, the legendary performance space, then in Dublin by invitation of the Project Arts Center.<br />Kate Eklinarchivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-55655020202574706152010-04-26T10:28:00.000-07:002010-05-03T14:16:19.036-07:00MAKE 2010<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh7tfD-N5si3st9fvoU2n7Buww5rAThbJlGGyl6Loxw_nSyWGvZdYvWn_eYpZ-PmwoHkk_qaLTYlnoY96MxvWxXYlgkqoyF369sNUZZzTeJcn_FMD1IwquNnm29ZVnhpSprHQDVhxMqho/s1600/b87c0f2ccc.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh7tfD-N5si3st9fvoU2n7Buww5rAThbJlGGyl6Loxw_nSyWGvZdYvWn_eYpZ-PmwoHkk_qaLTYlnoY96MxvWxXYlgkqoyF369sNUZZzTeJcn_FMD1IwquNnm29ZVnhpSprHQDVhxMqho/s320/b87c0f2ccc.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5465241977191885442" /></a><span class="Apple-style-span" style=" color: rgb(100, 20, 5); line-height: 16px; font-family:Arial, Verdana, serif;font-size:11px;"><h3 style="font-size: 12px; line-height: 18px; color: rgb(165, 83, 20); font-family: Georgia, Verdana; ">MAKE is a collaborative initiative by The Cork Midsummer Festival, Dublin Fringe Festival, Project Arts Centre and Theatre Forum, committed to the generation of new performance work.</h3><p class="bodytext"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:verdana;">I<span class="Apple-style-span" style="font-size:small;">t is a residential laboratory open to Irish and international artists, whereby ideas for new performance works are developed with the assistance of renowned international theatre artists. Over the course of one week, 15 practitioners come together at the </span></span></span></span><a href="http://www.tyroneguthrie.ie/" title="Opens external link in new window" target="_blank" class="external-link-new-window" style="font-weight: bold; line-height: 18px; text-decoration: underline; "><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Tyrone Guthrie Centre</span></span></span></a><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">, Annnaghmakerrig with an emphasis on creating new work with assistance, mentoring and support, rather than learning specific skills or techniques.</span></span></span></p><p class="bodytext"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Mentorship is available from three international artists with a wealth of experience in creating new work. Far from promoting a particular method of making performance, they offer advice and guidance from their experience, without agenda. MAKE is not a training workshop. Artists are free to pursue their own ideas, but the context MAKE offers is one of support and encouragement as well as challenge and critical rigour.</span></span></span></p><p class="bodytext"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">The second MAKE programme took place in March 2010. Twenty eight Irish and International Artists have now experienced the creative incubation in Annnaghmakerrig and the positive influence of the programme can already be seen in the following very limited listing of project outcomes:</span></span></span></p><p class="bodytext"> </p><ul style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><li style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 15px; "><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Una </span></span></span><span class="J-JK9eJ-PJVNOc"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">McKevitt</span></span></span></span><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"> worked on </span></span></span><i><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Victor & </span></span></span><span class="J-JK9eJ-PJVNOc"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Gord</span></span></span></span></i><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"> at MAKE 2009 which went on to premiere at </span></span></span><span class="J-JK9eJ-PJVNOc"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Absolut</span></span></span></span><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"> Fringe 2009, and play at Project Arts Centre. </span></span></span></li><li style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 15px; "><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Director Wayne Jordan, who has since gone on to make his Abbey Stage main stage debut with </span></span></span><i><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Christ Deliver Us, </span></span></span></i><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">was working on </span></span></span><i><span class="J-JK9eJ-PJVNOc"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Ellamenope</span></span></span></span><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"> Jones</span></span></span></i><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"> in 2009 which was staged as a work in progress at project Arts Centre.</span></span></span></li><li style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 15px; "><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Jessica </span></span></span><span class="J-JK9eJ-PJVNOc"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Almasy</span></span></span></span><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"> & Rachel </span></span></span><span class="J-JK9eJ-PJVNOc"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Chavkin</span></span></span></span><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"> of TEAM (USA) have since staged a rehearsed reading of their </span></span></span><span class="J-JK9eJ-PJVNOc"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">docu</span></span></span></span><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">-drama </span></span></span><i><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">To the Boys and Girls of America </span></span></span></i><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">which is to premiere in the USA this year.</span></span></span></li><li style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 15px; "><span class="J-JK9eJ-PJVNOc"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Feidlim</span></span></span></span><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"> Cannon and Gary </span></span></span><span class="J-JK9eJ-PJVNOc"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Keegan</span></span></span></span><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"> (</span></span></span><span class="J-JK9eJ-PJVNOc"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Brokentalkers</span></span></span></span><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">) are currently working on </span></span></span><i><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">City of Hope </span></span></span></i><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">for a premiere in 2010.</span></span></span></li><li style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 15px; "><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Director Tom Creed's </span></span></span><i><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Berlin Love Tour</span></span></span></i><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"> will go into production in summer 2010.</span></span></span></li><li style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 15px; "><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Grace </span></span></span><span class="J-JK9eJ-PJVNOc"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Dyas</span></span></span></span><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">, co-artistic director of </span></span></span><span class="J-JK9eJ-PJVNOc"><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">THEATREclub</span></span></span></span><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">, will premiere her piece being devised with Dublin heroin users in 2010.</span></span></span></li><li style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 15px; "><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Megan Riordan is currently working on “The True & Useful Project."</span></span></span></li><li style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 15px; "><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Priscilla Robinson's piece will premiere in 2010.</span></span></span></li></ul><div><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><a href="http://www.theatreforumireland.com/make/make-home/">Ir a MAKE</a></span></span></span></div></span>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-58413164535291040872010-04-25T09:38:00.000-07:002010-05-03T14:16:30.855-07:00MAKE 2010<object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/Nzi7xOJYYzo&hl=es_ES&fs=1&"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/Nzi7xOJYYzo&hl=es_ES&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-1225150032915785762010-03-10T10:24:00.000-08:002010-05-10T10:27:16.694-07:00Thomas Conway, Literary Manager of Druid Theatre Company, on MAKE 2010<div>Thomas Conway, Literary Manager of Druid Theatre Company, on MAKE 2010</div><div><br /></div><div>It’s late Saturday night, the last night we’ll all be together. It’s been a long day, with participants showing the fruits of their week’s work in what are something more than progress reports and something less than performances These ‘showings’ have then been subjected to the spotlight of critical appraisal, a light shed both stringently and generously on each by everyone else that comprises MAKE 2010, mentors, sponsors and the other participants. And while the day has not passed without its tensions, divisions and disagreements, it has also been uproarious fun, with hints of breakthrough, moments of ramshackle beauty, the presence of vulnerabilities reflecting a kind of grace on everyone. It has also been a day when we have all been pushed to re-evaluate our own positions, to entertain other critical frames of reference, to consider anew. Except, as one of three to show the following morning, I’m not able to relax.</div><div><br /></div><div>Exactly a week previously, we are sitting in a circle and we take it in turns to describe our projects. Our nervousness is heightened if anything by the repose of the setting. We’re in the music room in Annaghmakerrig; a vegetable garden and woods are to be seen outside. Most of us haven’t been to Annaghmakerrig before and, used to working in cities, wonder how we will organize ourselves in these surroundings – if we won’t just get carried away. Open a window here and everything gets quieter, for heaven’s sake.</div><div><br /></div><div>On Monday, we are split into groups of five and disperse with our mentors around Annaghmakerrig. (The mentors Florian Malzacher, Ant Hampton and Vivi Tellas will, as time will prove, get it just right in keeping up the week’s momentum with their probings, leads, suggestions and provocations.) The alcove of a light-filled drawing room is where my own group retreats. Here, we each go into more detail about our projects and Vivi Tellas (who comes from Buenos Aires with a formidable record as a director and includes in her work groundbreaking developments in documentary theatre) is teasing out what it is we could possibly mean. She cites her less than perfect command of English (not true, by the way), but we soon learn how it is Vivi’s incomparable strength to ask the toughest, most unexpected and all the while simplest questions and I’m beginning to sense I’ll have much to learn from her.</div><div><br /></div><div>Tuesday and we’re in the music room for the first of our ‘jam sessions’. Nothing is set out beforehand. It is a kind of playground. We have music, video clips, diaries, letters and photos. I have quotes from the texts I had hoped to build into my project. Suggestions come from Vivi and we test our material gently but insistently.</div><div><br /></div><div>Wednesday’s jam is more structured. It is an exercise that Vivi guides us through. It takes on the tricky work of project- and self-examination. The tuning of the group is already better, however, a certain confidence with each other having been gained.</div><div><br /></div><div>Thursday, we’re discussing why we don’t just jam together instead of presenting individual showings. Vivi asks why such reluctance to show as individuals and waits it out. Before we part, we’ve changed our minds and profess ourselves to a person reconciled to the individual showings.</div><div><br /></div><div>That evening, Ant Hampton (co-artistic director of Rotozaza, a company whose work has shaken up the possibilities for theatre by creating shows for unrehearsed ‘performers’, and has gained a wide audience, not least in Ireland, for their limitless innovations) and I talk privately and I’m keen to hear him on the topic of the unrehearsed performer and then on his more recent, self-titled ‘auto-performances’. In this latter form, the audience is given instructions and in effect become ‘performers’. We talk about the levels unpeeling here. What is it we watch, I ask. As Ant speaks of his fascination with the split subject, I recall my time ‘performing’ his showEtiquette and enjoy, once again, the sight of its space get over-populated and creak under the weight of all the multiplying split ‘persons’. I offer Ant the observation that, with Etiquette, I still felt part of the performance long after it was done, that everything I said afterwards was still being said for me. We have more to explore here but we leave it for the moment.</div><div><br /></div><div>Friday, I talk to Florian (a writer, programmer and dramaturg working out of Graz, Austria, who is occasional dramaturg with the influential Rimini Protokoll and who seems to us the single most informed person in Europe on postmodern theatre) about working with non-actors, the ethics, guiding principles, the textures, the necessity and beauty of locating a performance in what ‘the expert’ gives or doesn’t give, the question of love. I’m beginning to be greatly attracted by the possibilities.</div><div><br /></div><div>Saturday, I realize on seeing the others’ showings that it is their spirit as much as the detail of what they do that I’m falling for. When it comes to a choice between sense and sensuality, hereafter, I’m gonna trump for sensuality every time.</div><div><br /></div><div>Saturday night, I’m deep in conversation with Róise Goan, artistic director of the Dublin Fringe Festival, and she explains the importance of the showings themselves. She says how it is her experience that Irish artists aren’t nearly so articulate as their UK and European peers when it comes to explaining their ideas and generating excitement for them. She remonstrates with me how this is a skill as important as any other in the process of creating theatre.</div><div><br /></div><div>By Sunday morning I’ve decided to jettison the use of external text in my project. What I ‘show’, then, is an attempt to use live a set of tools I’d never used before – to come to a process armed with nothing but a set of questions and to write a text that responds to developments within the process alone. It is meant to be simple, but it stirs up more questions than it should and it needs further explaining.</div><div><br /></div><div>To return to Saturday night, I had asked Róise if MAKE could not also be artist-centred just as it is project-centred, if a breakthrough for the artist could be valued on equal terms with breakthroughs for the project. It wasn’t in any way my business to ask this but an answer comes Sunday morning in the showing immediately following my own. Ana Maria Ferreira Mendes from Portugal had begun the week with the intention to write about two brothers coming to where their childhood home used to be. This was to be an exploration of identity, its fragility and insubstantiality. Ana finishes the week with the performance of an interrogation where she must answer as herself and is required to go in search of answers in many of the most private areas of her own life. This response to the imperative to answer as yourself is the most inspirational thing I’ve seen all week. We have all seen Ana’s journey – she no longer insists she is not a performer – and seen what she has concretely gained for her project. We all look forward, as to nothing else, to seeing her project become a full performance.</div><div><br /></div><div>I leave Annaghmakerrig with concrete gains, to be sure, but not on that scale. I’ve a sense that when next I work with text it’ll be found or generated within the rehearsal itself and not pre-written. And, yes, I’ll take a chance to come to rehearsal with nothing but a set of questions, a vision in the bones and a commitment to the people in the room. In the process, I’ll pay tribute to the influence of Vivi and Ant and Florian and hope to honour what they and all my co-participants of MAKE 2010 have started.</div><div><br /></div><div><br /></div><div><span class="Apple-style-span" style=" ;font-family:Georgia, 'Times New Roman', Times, serif;"><a href="http://www.theatreforumireland.com/meet-the-family/view/article/thomas-conway-on-make-2010/?cHash=4af7fcb341c2f66964e860c0c9d7feea"><target=blank><span class="Apple-style-span" style="color:#FFFFFF;"><span class="Apple-style-span" style="font-size:small;">Ir al blog</span></span></target=blank></a></span></div>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-78401032326998989712009-11-07T22:00:00.000-08:002010-05-03T14:15:51.384-07:00Teatro de Familia - Festival NYU - Teatro Vivo<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7peTz7PgM-fSc0ZbjWM-oMGd4Jn_8D38d4NzvjeKArqq2xTWby4At6v-XOh2SqpHNb7TaWwljEZJspUVsoHtRO9hSCfT90VvVFmblkigyiGnhw7ViRpoc170qFPZndWRoIAqgjt8SZsg/s1600/Screen+shot+2009-11-21+at+11.08.14+AM.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7peTz7PgM-fSc0ZbjWM-oMGd4Jn_8D38d4NzvjeKArqq2xTWby4At6v-XOh2SqpHNb7TaWwljEZJspUVsoHtRO9hSCfT90VvVFmblkigyiGnhw7ViRpoc170qFPZndWRoIAqgjt8SZsg/s320/Screen+shot+2009-11-21+at+11.08.14+AM.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5465238402022604562" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhptum8oITm7kuPDYvMkD9AwomtJEfhrjw-XADh0oEnGaSIrARAdC17OLK9JVPm-YtFwZ1tuMSSntaC1JhE9QTyghfc_hKlzmp-X_f6Dkjte32nji92PpmCUzQULWkec2CWQa_LZD3Awvs/s1600/Screen+shot+2009-11-21+at+11.02.28+AM.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhptum8oITm7kuPDYvMkD9AwomtJEfhrjw-XADh0oEnGaSIrARAdC17OLK9JVPm-YtFwZ1tuMSSntaC1JhE9QTyghfc_hKlzmp-X_f6Dkjte32nji92PpmCUzQULWkec2CWQa_LZD3Awvs/s320/Screen+shot+2009-11-21+at+11.02.28+AM.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5465238390234985330" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtk7SEsKMijRDRvM-BdbDDZFpRhPCGgnUzzesAEXTcq7wut8RoENsxGMOR3Cj8s8GrNl1W6Ujj0lwMWBcZp7FsAJHBLi65pVDSAeDvDc0Qt7VAGXfjE8eUbrTAEE9LW7NPCYC8xhjCNIQ/s1600/Screen+shot+2009-11-21+at+11.00.10+AM.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtk7SEsKMijRDRvM-BdbDDZFpRhPCGgnUzzesAEXTcq7wut8RoENsxGMOR3Cj8s8GrNl1W6Ujj0lwMWBcZp7FsAJHBLi65pVDSAeDvDc0Qt7VAGXfjE8eUbrTAEE9LW7NPCYC8xhjCNIQ/s320/Screen+shot+2009-11-21+at+11.00.10+AM.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5465238381717884530" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSf7SbuoXd_menXQjDrP9uOi25t0erI930ZQ1j_ZtcjAvZEoG11NySUE4BiF5CIntC33O6RwJKVt8w-Zft4blpeeP7r1hOqNuywmgPUsi1o1wyyi4nQavCEIUtlaUEIlX2Dar6zfHpdfg/s1600/Screen+shot+2009-11-21+at+10.57.25+AM.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSf7SbuoXd_menXQjDrP9uOi25t0erI930ZQ1j_ZtcjAvZEoG11NySUE4BiF5CIntC33O6RwJKVt8w-Zft4blpeeP7r1hOqNuywmgPUsi1o1wyyi4nQavCEIUtlaUEIlX2Dar6zfHpdfg/s320/Screen+shot+2009-11-21+at+10.57.25+AM.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5465238374587086226" /></a><br /><br />Fotos Nicolás Goldbergarchivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.comtag:blogger.com,1999:blog-3153849313285721040.post-14981980804594880792009-11-01T10:07:00.000-08:002010-04-28T10:21:31.246-07:00Teatro Vivo, festival NYU<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4wULieNkcfcmEHYAdVe9FgbMxnYxyTnzYhojZu8_YNpi10ul0Mv1pJXPZSvUrblu3WSmRNmxOcbMRXOhIZErXBkjNjC48_jq8X9LMxKfyfnnnFaxMcc4SvYKECSTqq3bgGG3QK7Ck7XE/s1600/teatrovivo.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4wULieNkcfcmEHYAdVe9FgbMxnYxyTnzYhojZu8_YNpi10ul0Mv1pJXPZSvUrblu3WSmRNmxOcbMRXOhIZErXBkjNjC48_jq8X9LMxKfyfnnnFaxMcc4SvYKECSTqq3bgGG3QK7Ck7XE/s320/teatrovivo.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5465237105227721618" /></a><br /><br />The King Juan Carlos I of Spain Center and the MFA in Creative Writing in Spanish Program present:<br />Teatro Vivo/Live Theater: A Festival (second edition)<br /><br />A theatre festival, sponsored by the new Creative Writing in Spanish Program at NYU, consisting of four readings of plays in Spanish written by award-winning writers from Mexico, Argentina and Chile. Authors & directors will be available for a dialogue with the public after each reading: they will comment on the need of the word (the human voice contained in it) that resists vanishing in contemporary theater and talk about their unique process in creating and staging their work.<br /><br />Wednesday, November 4, 7:00 p.m.:<br />· Acheunoeneuno by Mónica de la Torre (Mexico/US). A poetic word-play with 5 New York based actors directed by Pedro Jiménez.<br /><br />Thursday, November 5, 7:00 p.m.:<br />· La Vagina de Laura Ingalls, by Alejandro Moreno (Chile/US). A monologue directed by Manuela Oyarzún (Chile).<br /><br />Friday, November 6, 7:00 p.m.:<br />· Muñecos colocados frente al mar by Mario Bellatin (México). Text read by the author.<br /><br />Saturday, November 7, 7:00 p.m.:<br />· Family Plot. Text + Slideshow<br />A collective piece issued from Vivi Tellas seminar at Creative Writing Spanish. Directed by Vivi Tellas (Argentina).<br /><br />Co-sponsored by NYU Humanities Initiative, NYU Center for Latin American and Caribbean Studies (CLACS), NYU Creative Writing in Spanish Program, NYU Graduate School of Arts and Sciences (GSAS), NYU Department of Spanish and Portuguese and NYU King Juan Carlos I of Spain Center.<div><br /></div><div><a href="http://www.blogger.com/post-edit.g?blogID=3153849313285721040&postID=1498198080459488079"></a>www.nyu.edu/kjc/invitations/teatrovivo</div>archivo tellashttp://www.blogger.com/profile/00096816410875261584noreply@blogger.com